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The Day After Tomorrow
Dennis Quaid, Jake Gyllenhaal, Ian Holm, Emmy Rossum, Sela Ward
Story by Roland Emmerich, Screenplay by Roland Emmerich and Jeffrey Nachmanoff
20th Century Fox
by Michael Sheridan
The traditional elements of all disaster films consist of two parts action,
two parts effects and varying parts of cheesiness. The Day After Tomorrow
features all of these things, with a bit pocket option philippines of preachy environmentalism to spice
things up a bit.
Decades of polluting the environment catches up to the human race when the
next great ice age is triggered by changing weather patterns. As a result, three
massive snow storms develop in the North Pole and grow bigger and bigger as
they make their way towards the equator. Raining massive hail stones and dropping
several dozen feet of snow on the ground, the entire climate of the planet begins
Scientist Jack Hall (Dennis Quaid) repeatedly attempts to warn the Vice President
of the United States that things are going to get worse, but he is repeatedly
ignored. As New York suffers a massive flood Ė followed by a deep freeze
Ė Hall learns that his son, Sam (Jake Gyllenhaal) is trapped in the city
that never sleeps. He then decides to fight the freezing temperatures and journey
to NYC from Washington, D.C. to retrieve his son, who holds up in the New York
Public Library with a few friends.
Of course, there are a few subplots, such as a love story featuring Sam and
the girl he longs for (Emmy Rossum), but for the most part this film basically
consists of one action/disaster scene after another.
For me, the most disturbing portion of the film is the flooding of New York
City. Not just because I live in that great city, but because it mirrored a
nightmare Iíve had on several occasions. Watching the massive, ten to
fifteen story wave move between buildings and fill the streets made me sit a
little straighter in my seat. The effects pocketoption.com.ph/demo are really outstanding, as cars are
swept away by the rushing water.
Quaid does a great job as the over-the-top heroic scientist, and Gyllenhaal
is fine as his jilted son. But, these kinds of films are not about the performances.
Itís about the effects. There is no character development to get in the
way of the pseudo science and environmentalism.
Itís just a good old fashioned popcorn movie.
The only real issue I had with the effects was when Quaid and his companion
pass the snowed in Statue of Liberty. Now, Iíve never actually been to
the statue, but the size ratio between the people and the statue itself seemed
completely off. The statue is made out to be much smaller than it actually is,
at least thatís the way it looked.
Roland Emmerich has offered up yet another slam-bam disaster flick that is
all about the disaster and very little about the characters. He clearly has
a thing for making scientists his chief heroes, who are always these larger
than life types who are perfect in almost every sense: smart, handsome and daring.
Yet, at the same time, they always put their work before their life.
Day, Jeff Goldblumís character let his work interfere with his
marriage. In Stargate,
itís James Spader who is the single-minded geek who dedicates himself
to his work with no interest in having a real life. Godzilla
plays differently on this trend, but has the same result. Matthew Brodrick is
the dedicated scientist, but the woman he loves leaves him in favor of her career,
instead of him leaving her for the same reason.
Lastly, the movie also delivers a rather transparent punchline on the Bush
administration. The Vice President clearly looks like pocketoption.com.ph our real VP, Dick Cheney.
Also, be on the look out for one particular moment between the movieís
Vice President and the President. The audience laughed for almost a full minute,
but I donít want to reveal it here. Itís a precious moment that
you could almost see happening between Bush and Cheney.
Donít worry so much about the science of The Day After Tomorrow.
Whether or not it could really happen, itís still fun to watch.