6/14/2004 -- Two new DVD reviews have been posted. We take a look back at the 80s, gay-themed classic, Torch Song Trilogy, and the Oscar-nominated Tom Cruise/Edward Zwick epic, The Last Samurai.

6/10/2004 -- Well, ladies and gentlemen, it's official. You can now reach this wonderful site via www.tailslate.net. This address is just one of several new things you'll be seeing here. Stay tuned for more!

6/3/2004 -- Take a journey into the past. Thousands of years into the past, with the debut review by Kurt Davis of the prehistoric classic, Quest for Fire.

6/1/2004 -- With the 48 Hour Film Project coming to New York City this month, we're offering one woman's personal experience with the project during last year's contest in Washington, D.C. Read the Diary from the 48-Hour Film Project.

The Day After Tomorrow
New York Minute
The Saddest Music in the World
Mean Girls
13 Going On 30
The Last Samurai
Torch Song Trilogy
Quest for Fire
X2: X-Men United
Never Cry Wolf
Rebel Without A Crew
Making Movies
In the Blink of an Eye
The Film Director
Diary from the 48-Hour Film Project
Q&A; with Shola Lynch
Past and Present
Ray Harryhausen: An Animation Legend
Drive-In Monsters

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Rebel Without A Crew
Or How a 23-Year-Old Filmmaker with $7,000 Became a Hollywood Player
Written by Robert Rodriguez
Rebel Without A Crew Image Review by Michael Sheridan

Written back in 1996, Rebel Without A Crew is probably one of the finest books about filmmaking that I've read. Written by Robert Rodriguez, it charts his process of making his first feature film, El Mariachi. It reads very honestly, giving a great portrayal of true guerilla filmmaking. Written as a series of journal entries, Rodriguez discusses virtually everything - from selling himself to medical research to raise funds, to getting deals with Kodak for film.

There is something to be learned here. Rodriguez basically details the whole process of how he made things up as he went along. Filmed effeciently, cut costs on actors and locations, in other words did everything on the cheap. It's inspiring and funny. I can't imagine that anyone who comes away reading this book isn't filled with enthusiam to run out and make their own $7,000 film.

Of course, I hadn't actually seen El Mariachi when I read this book. And if you haven't seen the film, then I'd highly recommend you read the book first. When you read the book, and learn how he tried to sell his film to Mexican producers, but later landed a distribution deal with Columbia Pictures, you're filled with an image of a film that is actually good. This is not the case, at least in my opinion.

El Mariachi is actually a really bad film. Badly shot, badly acted, badly written. It looks like a $7,000 film, and that ain't a compliment.

What's good about the film is the concept, and that's how it was sold. It wasn't so much a film, as a $7,000 pitch to produce a film - that film being Desperado. While considered a pseudo sequel, it was basically a remake. With Desperado, we're treated to a highly stylized action film I think was pretty good. It's El Mariachi with a real budget.

Getting back to the book, one of the best elements of it is how it charts Rodriguez' climb from a "nobody" to a "somebody". This was what I liked most. Not the nuts-and-bolts of how he got the film made, but what happened after he finished it and suddenly he started to get a lot of attention. The best moment is when he was a panelist at - I believe - either Sundance or the Toronto Film Festival. When asked if he were given a big budget to direct a Hollywood film, would he do it, Rodriguez answered honestly: "Of course!" This was in contrast to the other panelists, all of which apparently said they'd refuse.

Give me a break.

I liked Rodriguez' candor and honesty. He tells his story in a fun and real way, where you feel like you're taking the wild and crazy trip with him. If you're looking to make your film on the cheap, this is a must read, if only to serve as inspiration for what is possible.

Michael Sheridan has written, directed and produced more than a dozen short films. He also works as a freelance writer, and his articles have appeared in the New York Daily News, the Queens Chronicle, and Digital Imaging magazine.

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